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[Untitled surimono]
Ka'an [Kita], Busei [signed and sealed in the block by].
[Edo (Tōkyō), ca. late Edo period (1840-50s)].
A flower emerges from a hanging ceramic vase laid on the ground. Ka'an (Kita) Busei (1776-1857) was a nanga painter born in Edo. He studied under Tani Bunchō and was a friend of Watanabe Kazan, Kyokutei Bakin, Kuwagata Keisai ...
[Untitled surimono]
Shōji [signed and sealed by].
[Edo (Tōkyō)], Kinotou [1855].
A mother and child prepare to arrange flowers in this surimono illustrated by "Shōji".
One ōbōsho surimono, complete. Folds, browning, light stains, and marks. Full-leaf washi mounting to verso. 33.9 x 52.1 cm.
...[Untitled surimono]
Gashun [signed and sealed by].
[Edo (Tōkyō)], Kaei 2 [1849].
A surimono featuring an illustration of a young girl playing a board game, by the Maruyama-Shijō School painter Gashun (active c. 1847-1859). Metallic pigments have been used in sections of the illustration.
One ōbōsho surimono, complete. Folds, br ...
[Untitled surimono]
Kishū [signed and sealed in the block by].
[Edo (Tōkyō)], Ansei Kinotou [1855].
In this surimono illustrated by "Kishū", a woman crouches over a mortar, attentively grinding something (possibly persimmon leaves, judging from the branch of persimmons across from her) into a powder or fine tea.
One ōb ...
[Untitled surimono]
[Sōen], Kabocha [signed and sealed by].
[Edo (Tōkyō)], Tenpo Mizunoetatsu [1832].
Courtiers, two of whom are pictured holding a tray of mochi balls, gather around a fire on a chilly night. Harvested rice is pictured in the background. The artist, Kabocha (1777-1846), is also known as Sōen.
One ōbōsho s ...
[Untitled surimono]
Harada, Keigaku [signed and sealed in the block by].
[Edo (Tōkyō), ca. late Edo period (1840-50s)].
A seasonal surimono produced for autumn, featuring a river, red leaves (momiji), and moss-covered rocks. The artist, Harada Keigaku (1803-1885), studied painting under Shijō School artist Okamoto Toyohiko (1773-1845) in Kyoto, then later ...
[Untitled surimono]
Harada, Keigaku [signed and sealed in the block by].
[Edo (Tōkyō)], Mizunotou [1843].
Plum branches blossom in this elegant New Year surimono by Harada Keigaku (1803-1885). Keigaku studied painting under Shijō School artist Okamoto Toyohiko (1773-1845) in Kyoto, then later under Suzuki Nanrei (1775-1844) in Edo (Tokyo).
...
[Untitled surimono]
Harada, Keigaku [signed and sealed in the block by].
[Edo (Tōkyō)], Tatsu [1844].
Mt. Fuji and the scenic Miho no Matsubara area are depicted in this New Year surimono by Harada Keigaku (1803-1885). Keigaku studied painting under Shijō School artist Okamoto Toyohiko (1773-1845) in Kyoto, then later under Suzuki Nanrei (1775-1844) in Edo ...
[Untitled surimono]
[Harada], Keigaku [sealed in the block by].
[Edo (Tōkyō)], Kinotomi [1845].
A dancer dressed as an ogre-like creature encounters a snake in this surimono by Harada Keigaku (1803-1885). This scene appears in the bugaku (music and dance) composition Genjōraku in which the dancer celebrates the discovery of a snake, an important medicinal ...
Kotō Hachiman saigi no zu ["Illustration of the Kotō Hachiman ceremony"]
[Harada], Keigaku [sealed in the block by].
[Edo (Tōkyō)], Kinoetatsu [1844].
An illustration by Harada Keigaku (1803-1885) of the lively Kotō Hachiman festival adorns this striking surimono. Keigaku studied painting under Shijō School artist Okamoto Toyohiko (1773-1845) in Kyoto, the ...
[Untitled surimono]
[Artist unidentified].
[Japan, ca. Meiji period (1870-1900s)?].
A small, spring-themed surimono featuring three poems and an illustration by an unidentifiable artist. One of the poems refers to spring and another to the melting ice on a frozen-over well. These may provide clues as to the theme of the illustration, which seems to show on ...
[Untitled surimono]
[Shibata], Zeshin [illustrated by]; Baiso [statement of responsibility by].
[Japan: privately published], Kinoene [1864].
A haikai surimono featuring an illustration of a kite, fish, pine, and what may be paper shide by Shibata Zeshin (1807-1891). The name Baiso appears under the date (spring, 1864) at the end of the text and prob ...
[Untitled surimono]
Kōsai [Utagawa, Yoshimori] [illustrated by].
[Japan: privately published], Meiji 2 [1869].
A haikai surimono featuring an illustration of a shishimai lion dancer and three musicians by Utagawa Yoshimori (1830-1885), a pupil of Kuniyoshi. The texture of the brush strokes from Yoshimori's original illustration has been masterful ...
Uozukushi Kuchiai Hōkōnin Ukejō no Koto, Narabi ni Sakezukushi Shinshu Tegata no Koto: Edo Jippensha Ikku Saku Shinpan Odokemonku ["'Puns Full of Fish: A Request from Servants', with, 'Full of Alcohol: A Promissory Note on New Sake': New Amusing Passages by the Edo Writer Jippensha Ikku"]
Jippensha, Ikku [text by]; Nagahide [illustrated by].
Ōsaka: Hon Yasu [Hony ...
Usumurasaki Genji no Somewake ["Dyeing of the Lilac Genji"]
[Toyohara], Kunichika [illustrated by]; Ōta, Komakichi [printing blocks cut by].
Fukagawa Takabashi (Edo): Etsuka, Bunkyū 2 [1862].
A fascinating triptych featuring characters from The Tale of Genji examining a newly purchased sugoroku game sheet based on famous kabuki actors. Searches for the ti ...
[Creator not identified].
Kyōbashi, [Tōkyō] : Yabuya Kawashima Fusumagamiten, Taishō 15 [1926].
A catalogue of 26 Canadian wallpaper samples published by Yabuya Kawashima Fusumagamiten, a company predominantly known for selling fusuma (Japanese sliding screen) papers. A number is printed on the verso of each decorative sample, and a price list has been tipped-in b ...
Yamakawa Furiwake Sugoroku ["A Game Sheet of Mountains and Rivers Divided"]
Ichiyōsai [Utagawa], Toyokuni [III] [illustrated by].
Akasaka, [Edo (Tōkyō)]: Iseya Kanekichi, [Kōka 4 (1847) - Kaei 5 (1852)].
A scarce multi-ōban sugoroku game sheet by Utagawa Toyokuni III (Utagawa Kunisada) based on scenes from folktales located at mountains or rivers. The squa ...
Yaso Taiji Baka Shinnyū ["Extermination of the Christians: Infiltration of the Idiots"]
Kato, Tomisaburō [edited by].
Ōsaka: Katō Tomisaburō, Meiji 14 [1881]. "New edition".
A mitate banzuke (sheet that ranks people and behaviours in a parody of a sumo ranking sheet) listing the behaviours of Japanese Christians the compiler considers "idiotic". While th ...
[London] : Ye Sette, 1892.
The menu of the ‘Japanese Night’ dinner held in 1892 by members of Ye Sette of Odd Volumes (an English club of bibliophiles founded by bookdealer Bernard Quaritch in 1878) and attended by many members of the Japan Society. The night is known to have been attended by, amongst others, Narinori Okoshi, Cap ...
Yo no shirabe ["Night melody"]
Yūgō, Bikutoru [Hugo, Victor] [lyrics by]; Gunō, Sharuru [Gounod, Charles-François] [composed by]; Matsubara, Chikashi [arranged by]; [artist unidentified].
Tōkyō: Bikutā Shuppansha, Shōwa 6 [1931].
A Japanese harmonica score for Charles-François Gounod's Sérénade, which featured as its ly ...
Yowamushi Korokoro Goton Jūton no Zu ["Roly-Poly Cowards: Pigs with Five Heads and Ten Bodies"]
Seirakusai [Ochiai], Yoshiiku [illustrated by].
[Japan: publisher unidentified, ca. Meiji 28 (1895)].
A satirical giga print on the Sino-Japanese War (1894-1895) featuring, as the title suggests, interjoined Chinese soldiers with a total of ten bodies and five ...
Yukihisa Isobe Exhibition
Isobe, Yukihisa [illustrated by].
Tōkyō: Tokyo Gallery, 1964.
A catalogue from an exhibition of works by Yukihisa Isobe (1935-) held in Tokyo in April of 1964. The card folder features four panels (three on the recto, one on the verso) that open to reveal scenes on loosely inserted cards. The cards can be removed from the outer ...
Zensei Meigi-zoroi ["Full Cast of the Most Popular Geisha"]
Chōkarō [Utagawa], Yoshiiku [illustrated by].
[Tōkyō]: Iseki [Iseya Kihē], [Meiji 2 (1869)].
A colourful woodblock print of elegant geisha and their attendants playing cards, from the Zensei Meigi-zoroi series by Utagawa Yoshiiku (1833-1904).
One leaf, woodblock- ...
Zushū Shuzenji Onsen Meisho Kaisei-zu ["Revised Map of Famous Places in Shuzenji Onsen, Zushū"]
Mantei, Ōga [reproduced by]; Seisei [Kawanabe], Kyōsai ["clearly transcribed" by].
[Shizuoka: Gotō Senzō?], Meiji 14 [1881].
Printed on one large (34.5 x 51 cm) leaf using a very finely cut woodblock, Zushū Shuzenji Onsen Meisho Kaisei no Zu is an ...
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