Kyōjin Bikkuribako ["The Prideful Person's Box of Inevitable Fear"]

Hattori [Mantei], Ōga [text by]; Seisei [Kawanabe], Kyōsai [illustrated by]. 

Tōkyō: Shōsetsusha Shorin, Yamazakiya Seishichi ... [et al.], Meiji 7 [1874]. 

The first fascicle of a three-issue series produced by Ōga and Kyōsai. The two other issues in the series, Bikkuri Ch� ...

[Kyōka Momochidori ("A Flock of Kyōka Poems")]

[Yanagawa, Shigenobu (illustrated by)]; Shakuyakutei, [Nagane] [preface by].

[Japan: publisher unidentified, ca. 1830s?].

A book of kyōka poems illustrated by Hokusai's pupil and son-in-law Yanagawa Shigenobu (1787–1832), who was known for his surimono and book illustrations. This album features thir ...

Light in darkness = Anchū no kōmyō

Loomis, Henry, Yoshimasu, Takasaburō [text by].

Yokohama: Beikoku Seisho Kaisha, Meiji 39 [1906].

A pamphlet recounting the story of Yoshimasu Takasaburō's conversion to Christianity, by Henry Loomis (1839-1920), a Presbyterian missionary from the US working in Japan. The short work shows through correspondences how ...

Magobē Kakkeiron ["Magobē the Manager"]; Kyōjin Bikkuribako ["The Prideful Person's Box of Inevitable Fear"]

Hattori [Mantei], Ōga [text by]; Seisei [Kawanabe], Kyōsai [illustrated by].

Tōkyō: Yamazaki Seishichi ... [et al.], Meiji 7-8 [1874-1875].

Two Kyōsai-Ōga zasshi bound together by an ex-owner. The first issue in the volume, Magobē Kakkeiron, ...

Makura Jidō: kabukiza shinkyōgen ["Makura Jidō: new kyōgen at the kabuki theatre"]

Kōchōrō [Utagawa Kunisada III] [illustrated by].

[Japan: publisher unidentified, Meiji 25 (1892)?].

A triptych by Utagawa Kunisada III (1848–1920) depicting the eponymous Kiku Jidō (Jidō of the Chrysanthemum, also known as Jidō of the Headrest) from the play Makura Jid ...

Manpō Eitai Shin-zassho: Nihon-zu-iri ["New Miscellany of Countless Eternal Treasures, with a Map of Japan"]

[Tokanshi (selections by)?].

[Japan: publisher unidentified, ca. Bunka 8 (1811)].

This encyclopedic sheet, woodblock-printed on both sides, provides astrological, historical, and geographical information about Japan to the reader. The sheet could be ...

Miyako nishiki ["Brocades of the capital"]

[Ueno, Seikō (illustrated by)?]. 

Kyōto: Honda Ichijirō, Meiji 32 (1899)].

A collection of inventive designs by an unidentified artist or artists, previously owned by the acclaimed designer and artist Ueno Seikō (1871-1943). The woodblocks for the prints were carved by Kinoshita Yūnosuke and printed by S ...

Miyako Odori ["The Miyako Dance"]

Kajima, Seizaburō [text by].

Kyōto: Genrokukan, Meiji 35 [1902].

An illustrated guide to Kyoto's famed Miyako Odori dance, for distribution to Japanese and foreign tourists in April of 1902. The album-like program includes information in English and Japanese on the history of the dance, the names and roles of the (maik ...

Mizugaki manji sōshi ["Notebooks for brush-andwater calligraphy"]

Asai, Shigemitsu [produced by].

Tōkyō: Manjidō, Meiji 17 [1884].

A Meiji period advertisement for mizugaki paper produced by the Tokyo firm Manjidō. Mizugaki is a type of calligraphy practice in which the brush is dipped in water instead of ink.

One loose leaf, printe ...

Mongata Kiriyō-den ["Stencils for Crest-Cutting"]

[Creator unidentified].

[Japan: publisher unidentified, ca. mid-Meiji period (1870-90s)?].

A playful woodblock-printed work on cutting kamon (family crests) from folded paper in a process called monkiri ("crest-cutting"). This process involves cutting out the desired template from the book, laying it on to ...

Musha Jūroku Musashi ["A Jūroku Musashi Game of Warriors"]

Ōsai [Utagawa], Fusatane [illustrated by].

Bakurochō, [Tōkyō]: Higuchi Gintarō, [ca. Meiji period (1880-90s?)].

A variation on a classic Japanese strategy game, Jūroku Musashi ("Sixteen Soldiers"). In the game, which is believed to have originated in the Edo period, two players first decide who ...

Nankyoku Tairiku [The Antarctic Continent]

Nihon Kyokuchi Kenkyū Shinkōkai [edited by].

Tōkyō: Nihon Kyokuchi Kenkyū Shinkōkai, 1965.

A sizeable (79 x 109.5 cm) colour map of Antarctica edited and produced by the Japan Polar Research Association (J.P.R.A.) in 1965. The map has a scale of 1:6,500,000, and place names are recorded in English and occasional ...

Nankyoku Tairiku [The Antarctic Continent]

Tada, Fumio [proofread by].

Tōkyō: Chiseisha, [ca. 1957-1958].

A large (115 x 109 cm) colour map of Antarctica produced in commemoration of the International Geophysical Year (also known as the IGY, 1957-1958). Professor Tada Fumio (1900-1978), who proofread the map, was a central figure in organising Japan's ...

Ōiri ["Full House"]

Kubo, [first name illegible] [produced by]; Sogai [illustrated by?].

Kōbe: Shinyūren, [ca. Taishō to early Shōwa period (1910-30s)?].

A set of six woodblock-printed match labels featuring illustrations possibly associated with kabuki or another form of traditional performance. The term ōiri (大入) which appears on each of the match car ...

[Documents Office, Ministry of Foreign Affairs (text by)].

[Ibaraki, Japan], Meiji 4 [1871]. Manuscript.

A handwritten draft or record of a text produced by authorities regarding the granting of official licenses to booksellers, on stationery woodblock-printed by the Koga Domain (present day Ibaraki Prefecture).

Two folded leaves, considerab ...

Oguri Hanguwan ["Oguri Hangan"]

[Author/s unidentified].

Niigata: Chida Tasaku, Meiji 27 [1894].

Issue one only of a hiragana version of the legend of the hero-warrior Oguri Hangan, printed by the Niigata-based uta-hon publisher Chida Tasaku. The fact that the edition is in hiragana suggests it was published for children.

Part one on ...

Oshiegusa Yoshiwara Suzume ["The Lesson of the Yoshiwara Sparrow"]

[Sakurada, Jisuke I (original text by)].

Kobunachō, [Tōkyō]: Igaya Kan'emon, [ca. mid Edo period (1800-30s)?]

A nagauta shōhon (booklet of lyrics for a "long song" dance-drama) for a performance of Oshiegusa Yoshiwara Suzume, a composition which likened courtesans to caged sparrows and ...

Ōsaka: [Yamakichi?], ca. early Meiji period (1870-90s)].

A set of three paper templates for cutting materials to make tabi socks or jika-tabi (shoe-like tabi), woodblock-printed with instructions. The templates have been sewn together and may have been sold as a set in this format.

Three templates, sewn together, with an accompanying hand-inscribed ...

Nemuke-zamashi Hitori-tanoshimi Hitotsutose-bushi ["Hitotsutose Songs to Enjoy Alone and to Shake Off Sleepiness"]

[Satō, Tomochika (text by)?].

Sakata, [Yamagata?]: [Satō Tomochika?], [ca. late Edo period (1820-50s)?].

A hitotsutose counting song in twenty verses with strong Buddhist overtones. While the theme seems unusual, as counting songs were usual ...

Tōkyō: Mizuno Shōten, [ca. Taishō to early Shōwa period (1910-30s)?].

An advertisement for "Pyramid Best" cameras.

One leaf. Creases, paper lightly browned. 19.2 x 14.4 cm.

Reihō Mankintan ["Sacred Tiger Balm"]

Ise, [Japan]: Noma Inaba-en, [ca. mid-Edo period (17th to 19th century)].

An advertisement or set of instructions for the Noma family brand's Reiho Mankintan, a famous cure-all popular as a souvenir from Ise in the Edo period. The print is designed to look like a leaf from a book, as is apparent from the hanshin title colu ...

Ryūkō Fukitashi-kusa [Modish Seeds of the Sayings of the Wealthy and Arrogant]

Gyokusui, En [or Gyokusuien] [selections by]; [artist unidentified].

[Japan: publisher unidentified], Kōka 3 [1846].

A bizarre woodblock-printed compilation of single-frame giga (cartoons), featuring visual puns, nazonazo puzzles, and tricky wordplay often requiring knowledg ...

[Untitled Collection]

[Japan: various publishers, ca. late Meiji to early Shōwa period (1900-1940s)?].

A collection of fourteen labels and advertisements for products including matches, medicine, toys, food, silk, and so on, from the early twentieth ...

Sasei haiga ["Poems and illustrations by Sasei"]

Uzuki, Sasei [text and illustrations by].

Tōkyō: Uzuki Sasei, Shōwa 15 [1940].

A loose-leaf album authored, illustrated, and privately published by Uzuki Sasei (active ca. 1920-40s). The album features one woodblockprinted preface, one page of tips for painting haiga (simple illustrations to accompany haiku ...

Seijin Kimotsubushi: Kengu Shinbun ["The Thunderstruck Sage: The New Culture of the Wise and the Foolish"]

Mantei, Ōga [text by]; Seisei [Kawanabe], Kyōsai [illustrated by]. 

Tōkyō: Eikyū Bunko, Yamamoto Heikichi ... [et al.], [preface dated Meiji 5 (1872)].

The first series (all published) of a Kyōsai-Ōga work on one of Ōga's favourite themes - ...

Seirō Hankatsū ["Poseur of the Bordellos"] 

Hattori [Mantei], Ōga [text by]; Seisei [Kawanabe], Kyōsai [illustrations by]. 

[Tōkyō]: Kōbundō ... [et al.], Meiji 7 [1874]. 

Three issues, complete, of this satire set in Yoshiwara after the implementation of the Meiji 5 (1872) ordinance liberating all geisha and courtesans. Hankatsū (半化通) plays on the id ...

[Seiyō Jiki Teikokuhan ("Model of Western Time Measurements")]

[Kanshūtei (preface by)].

[Tōto (Tōkyō): publisher unidentified, ca. early to mid-Meiji period (1870-1890s)].

A small volume providing Western equivalents of Japanese time measurements. The names of daytime measurements (e.g. "the time of the snake") are printed in red, while those of nighttim ...

Seiyō komamono nokorazu ["Unexcelled Western sundries"]

Kanbe, Senzō [produced by].

Kanda, [Tōkyō]: Shinseidō, [ca. Meiji 20s (1887-97)].

A flyer printed around the end of the nineteenth century for Shinseidō (or Shinshōdō), a Western sundries shop in Kanda, Tōkyō. The illustration on the right side of the flyer, which is probably woodblock-printed, shows ...

Sentakusho yori Nomishirami Kadomo he Onmōshi-idashi no Koto narabi ni Mushi Sanka Nakama yori Sentakujo he Negai Izuru Koto ["A Formal Statement from a Laundry to Fleas, Lice, and Mosquitoes, together with a Humble Request from the Three Groups of Insects to the Laundry"] 

[Matsuda, Yasuke (original text by)]. 

Hacchōbori, [Edo (Tōkyō)]: Kyōya Sōbē, [ca. late Edo peri ...

Seru shiori ["Guidebook to seru fabric"]

[Ichida, Yaichirō].

Tokyo: Y. Ichida & Co., [ca. early Taishō period (1910-20s)?].

This 'guidebook' produced by Y. Ichida & Co. introduces the firm's factory in monochrome photographic illustrations, the majority of which show the machinery used to manufacture seru. The word seru derives fro ...

Shamisen sekai no zu ["Illustration of the Shamisen World"]

[Utagawa], Yoshifuji [illustrated by].

[Japan: publisher unidentified, ca. late Edo period (1860s)?].

This aizuri-e (indigo-printed illustration) designed by Yoshifuji (1828-1887), a pupil of Kuniyoshi, shows an oiran viewing a globe of the Shamisen Sekai ("Shamisen World"). Each country or provin ...

Shichifukujin ["Seven Lucky Gods"]

Kiyama, Shōzan [produced by].

[Japan: Kiyama Shōzan, ca. Taishō to early Shōwa period (1920-30s)?].

A set of seven woodblock-printed match labels featuring the Seven Lucky Gods - Ebisu, Daikokuten, Benzaiten, Bishamonten, Hotei, Fukurokuju, and Jurōjin. The text on each card records the name Kiyama - the individual who pr ...

Shijō Taiheiyō Ryokō ["A Trip to the Pacific on Paper"]

Gunji, Jirōmasa [handwritten by].

[Japan, ca. early to mid-Shōwa period (1940-1950s?)]. In manuscript.

A draft of an article for All Women (Ōru Josei) magazine handwritten by author and lyricist Gunji Jirōmasa (1905-1973). In the article, the author takes the role of a guide, leading the readers (whic ...

Shinmonku Yukari no Tsuki ["The Moon of Affinity: New Lyrics"]

[Illustrator and author unidentified].

[Japan: publisher unidentified, ca. Keiō 4 (1868)].

Kawaraban were woodblock-printed gossip and news sheets produced illicitly in the Edo period for the consumption of laypeople. Publishers who dared print kawaraban on political topics were at a particular ...

Shinpan Kuchikara Dehaudai Oshiegusa [Teachings on Whatever Comes to Mind, Newly Produced]

Hyakunokuchi, [Nukemaru?] [edited by]. 

Kyōto: Akitaya Tōroku, [ca. Tenpo period (1830-1845)?].

A comical print recording a wave of unsolicited advice ("teachings") on men and women from a rambling author, pictured yawning on the right. In the lower section of t ...

Shiroto Jōjuri Shikata Mitate: Chūshingura Nanatsume Monku ["Methods of Jōjuri Amateurs: Seven Phrases from The Treasury of Loyal Retainers"]

[Creator unidentified].

Teramachi, [Kyōto]: Kashiwaya Sōshichi, [ca. late Edo period (1830-40s)?].

A woodblock-printed sheet of words and phrases, often humorous, used by amateur players in jōjuri (puppet) theatre. ...

Shōbatsu Tenkarafuru ["Reward and Punishment: Fall from Heaven"]; Bikkuri Chōmen-bako ["The Surprise Box of Punishment"]

Hattori [Mantei], Ōga [text by]; Seisei [Kawanabe], Kyōsai [illustrated by]. 

Tōkyō: Yamazaki Seishichi ... [et al.], Meiji 8 [1875].

Two Kyōsai-Ōga zasshi bound together by an ex-owner. The title of the first issue in the volume ...

松竹映画シナリオ 惜春鳥

Kinoshita, Keisuke [screenplay and direction by].

Tōkyō: Eiga Taimususha, Shōwa 34 [1959]. First edition. 

A highly illustrated booklet on Kinoshita Keisuke’s film Sekishunchō, or Farewell to Spring. The film, released in 1959, is frequently referred to as the first LGBTQI+ themed film produced in Japan due to the close emo ...

Shochū O-utagai ["Summer Greetings"]

Oda, [Hidekazu] [produced by].

[Tōkyō]: Oda [Hidekazu], Shōwa 8 [1933].

A set of twelve woodblock-printed matchbox-sized cards featuring fans illustrated with summer flowers. The text on each card records the name Oda - the individual who produced the set for an unidentified group of matchbox card enthusiasts. Oda' ...

Dōgu-zukushi Sucharakapokupoku Yoshikonobushi ["Various Tools, Gobbledygook Yoshikono Ballads"]

[Author/s unidentified].

Hacchōbori, [Tōkyō]: [Rōben?], [ca. late Edo period (1830-50s)?].

A short collection of humorous songs on themes including alcohol, counting money, oiran, and the Yoshiwara pleasure district. Susan Miyo Asai notes in Nōmai Dance Drama: ...

Shinpan Geisha Hauta ["Geishas' Short Songs, Newly Published"] 

[Creator/s unidentified]. 

[Japan: Kikuyama, ca. late Edo period (1830-50s)?]. 

A collection of ten short hauta songs popular with geisha, who often performed such ditties in the pleasure quarters. The booklet is a prime example of comical street literature of the Edo period ...

Shukka Hōkoku ["Shipping Report"]

[Tomimura Naokichi Shōten (commissioned by)].

Tōkyō: Tomimura Naokichi Shōten, [ca. Meiji period (1870-90s?)].

A woodblock used at the Nihonbashi-based firm Tomimura Naokichi Shōten to print shipping forms. Although illegible, the item being sent (possibly a gathering of fabric) must have been shipped often by the compa ...

Shuzenji Onsen Meishoki ["Famous Places in Shuzenji Onsen"]

Hattori [Mantei], Ōga [text by]; Seisei [Kawanabe], Kyōsai [illustrated by]. 

[Shizuoka]: Gotō Senzō, Meiji 13 [1880]. 

One of the few non-satirical works Ōga and Kyōsai produced together, Shuzenji Onsen Meishoki is an illustrated guidebook to Shuzenji Onsen in Izu, Shikuoka Prefecture. ...

"武村式安全搾乳・哺乳兼用器"

Ōsaka: Takemura Shōkai, [ca. late Meiji period (1890-1910s?)].

An advertisement for breast-pumps made by Ōsaka-based company Takemura Shōkai, featuring a photograph of a woman using the device.

One card, photograph tipped-in. Mild foxing, corners lightly bumped, small tear to photo. 19.5 x 13.3 cm.

Tanemaki Gonbē no Atotsugi: Tarobē Mizukakeron ["Tarobē the Waterer, Successor of Gonbē the Sower"]

Hattori [Mantei], Ōga [text by]; Seisei [Kawanabe], Kyōsai [illustrated by]. 

Tōkyō: Yamazakiya Seishichi ... [et al.], Meiji 7 [1874].

The middle fascicle of a three-issue parody of a family history produced by Ōga and Kyōsai - Gonbē Tanemakiron ("Gonb ...

Tsutamoyō Chizome no Goshuin ["The Ivy-Patterned Blood-Stained Seal"]

[Kawatake, Shinshichi III (original play by)].

Shintomi-machi, [Tōkyō]: Shintomiza, Taishō 3 [1914].

A shibai banzuke playbill for a performance of the nanshokuthemed kabuki play Tsutamoyō Chizome no Goshuin at the Shintomi-za theatre, Tōkyō, at 3 p.m. on October 8, 1914. Four vignette ...

[Three illustrated envelopes]

[Ogawa, Usen (original designs by)].

[Kyōto]: Kineya: Kyō-tsukushiya, [ca. early to mid-Shōwa period (1930-40s)?].

Three woodblock-printed envelopes based on designs by Ogawa Usen (1868-1938). The leftmost illustration seems to depict a person dancing with a fan at night in front of a large statue of a religious or historical ...

Timetable: Royal Netherlands-Indian Airways, K.N.I.L.M.

[Statement of responsibility unidentified]; Ludberg [illustrated by]

Batavia: Royal Netherlands-Indian Airways, [1933]. 

A timetable of flights between Batavia, Bandoeng, Semarang, Sourabaja, Palembang, Pakanbaroe, Medan, Singapore, and Alorstar, produced by Koninklijke Nederlandsch-Indische Luch ...

Tōkaidō gojūsan-tsugi ["The fifty-three stations of the Tōkaidō"] 

Ichiryūsai [Utagawa], Hiroshige [illustrated by].

[Japan, ca. late Taishō to early Shōwa period (1920-30s)?]. 

A set of colour woodblock-printed pochi-bukuro (mini-envelopes) featuring adaptations of Utagawa Hiroshige's Fifty-Three Stations of the Tōkaidō series of ukiyo-e p ...

"健胃強神　古加葡萄酒"

Yokohama: Meiji-ya, Meiji 27 [1894].

Tonic Coca Wine was a popular drink in Europe in the late 19th century, and, as can be seen from the images of medals in the illustration above, won numerous awards at expositions. The concoction is advertised here as a French-made must-have for the healthconscious buyer: a "strengthener of the entire sys ...